BLIMP WINDSCREEN
THE ULTIMATE SOLUTION
for eliminating wind noise in even the harshest wind conditions

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This kit includes:-

• elastic frames for microphones until 2 cm diameters
• tripod connection 3/8“ for assembly at tone hinge / tripod (vertical assembly possible)
• Handle with grip.

Features:-

• Angle of the basket through the joint is freely adjustable.
• Wind protection basket is removable.
• Flexible and stiff plastic skeleton in the wind basket in contrast to other wind baskets.

Suitable for :-

microphones for a length of: 22 cm (max. also 24 cm)
Max. Diameters 2 cm
comparably with Sennheiser MZW / Rycote WS3 WJ3 / Ambient

Two of the worst problems that effects location sound recording are WIND NOISE and RUMBLE.

Another reason to always use a windscreen is to physically protect the microphone from dust and accidental impact. The use of a blimp screen is very effective because it tends to disperse the oncoming wind, thus reducing velocity but also eliminating the ACOUSTIC noise generated by high wind physically striking the outer shell of the blimp.

HANDLING SHOCKS Rumble can be defined as unwanted vibrations transmitted through objects into the mic capsule itself. Examples of rumble include ground or floor vibrations caused by nearby traffic, heavy.

footsteps and building/structural vibrations. Solution:- The solution to rumble lies in isolating the microphone from these vibrations by some means of free-

floating suspension which is the role of a good "Shockmount." Shockmounts are featured Microphone Clamps.

This universal shockmount consists of two pair of thick rubber bands arranged tic-tac-toe fashion within a cylindrical framework. The mic is held inside of the "center circle" of the grids formed by the rubber bands.
It will support just about any mic on the market except for the long shotguns.

Details
Quantity
Weight	6.50 lbs